Join us as GREH, originally a one-man DIY project, transformed into a formidable trio. We delve into their unique sound, emotional inspirations, and the rejection of feigned goodness that defines their music.
1. Can you take us back to the beginning of GREH and
share how this one-man DIY project evolved into a trio? What motivated the
transition?
As I started with music, I just wanted to compose music,
release it and not play any live shows. After I released the "Age of
Resentment" EP as a one-man project, I got a lot of emails asking me why I
wasn't playing live and that people would like to see me playing live.
After careful consideration, I decided to form a band and
play live, but on one condition: as few instruments and people as possible.
After numerous auditions, I immediately fell in love with Martin Kocula's
vocals and was thrilled by Maurice Müller's drumming because it's not typically
metal, which suits GREH very well. In the meantime, the trio has grown into a
band, which makes me very proud.
2. Your music draws inspiration from various metal
styles. How do you navigate the fusion of heavy and rolling guitar sounds with
driving vocals to create GREH's unique and infectious sound?
The sound actually came about very much by chance - out of a
very deep feeling. It just sounded good to me. Then I saw that there are some
bands that have a similar sound. But yes, sludge bands like "Thou" or
"Come to Grief" or "Winter" have always fascinated me
because they could capture my grief well. The groove influence certainly comes
from "Bolt Thrower". Martin and Maurice bring a lot of influences
into the new songs, which you can hear and experience at our
concerts. Maurice is a very talented and sought-after drummer. I was
actually lucky that he joined GREH. Because he still plays drums for: Bone
Idles, Weird Owles, Hard Strike.... he has influenced the new GREH sound a
lot. I know that Martin has been listening to metal for many years. He has
already played in death metal bands. At the moment he has another band besides
GREH called "GRAU". The black metal influences will be heard in the
new GREH album we are currently working on.
3. The bio mentions an infectious sound embedded with
dark emotions and anger. How do you channel these emotions into your music, and
what kind of impact do you hope it has on your audience?
I channel something like a dark and lightning-fast reliving
of my past. This doesn't just mean the classic flashbacks where you feel
briefly transported back to the past, which you are then aware of. This type of
flashback is mainly found after a shock trauma, for example in war veterans who
throw themselves on the floor because a car exhaust has gone off somewhere. In
this type of flashback, the memories are suddenly triggered and are so strong
that the person affected has the feeling that they are happening NOW. That's
exactly the feeling we were dealing with and we used the music to channel it.
4. The lyrics of GREH often touch on the flaws of
humanity and the liberation from false beliefs. Can you delve into the themes
explored in your lyrics and how they connect to the overall message of the
band?
GREH stands for liberation from religious dogma, social
constraints and oppressive traditions. It celebrates the moment of a powerful
catharsis.
I myself was raised and grew up very religious. In the
course of my life, I realized that religions were not for me and that I was
never free because of my beliefs at the time. Instead, religion always had its
hand on my neck and grounded me - I never felt free like that! GREH stands
somewhere for my personal liberation from religion itself. In other words, GREH
is a transgression of God's law! It is about respect for self-determination - from
faith to reality - from faith to disrespect for all religions.
5. Your bio mentions addressing moral vices like
indifference to suffering. How does GREH use music as a tool to critique these
aspects of human behavior, and what message do you hope to convey through your
exploration of pain and suffering?
Now it is important to mention that the songs were created
to pull ourselves out of a very difficult and dark phase of life. GREH is an
end in itself, and if the vibe of the music or lyrics helps other listeners -
then we have accomplished our mission. There are actually many ways to pull
yourself out of a depressive phase - composing music and running a band is one
of them.
6. GREH sees itself as a rejection of feigned goodness.
How does this rejection manifest in both your attitude towards your music and
the message you convey through it?
We are very aware that we are not introducing new and
fantastic dark themes into metal, but rather a reference to the dark and gloomy
nature of our world and its interpersonal reality. There will be many issues on
our planet and in our interpersonal relationships that will always concern us,
why they happen - this is exactly a topic that can be reflected musically or
artistically.
7. Your attitude is described as reflected in the musical
recognition. Can you elaborate on how your rejection of feigned goodness is
translated into the musical elements of your sound?
This is processed classically in the lyrics of the songs and
accompanied by the music accordingly.
8. Your list of bands for fans of GREH includes a diverse
range. Can you highlight some specific influences that have played a
significant role in shaping your musical style?
As we know, musical tastes are constantly expanding. So I'm
constantly inspired by other bands. Every song is inspired by one or two bands.
I like the groove of "Bolt Thrower", the anger of
"Hexis", the aggression of "Nails", the atmosphere of
"AHAB", the catchiness of "Mantar", the suffering of
"Thou", the driving parts of "Konvent".
As you can see here, each band brings its own aspect to my
inspiration.
9. Starting as a DIY project, how has the band maintained
its DIY ethos as it evolved into a trio? What challenges and rewards come with
maintaining a hands-on approach to your music?
It is important to mention that we all have many years of
band and live experience. We pool this knowledge and these skills and work
together as a team. It is important to us to be independent and self-determined
and only occasionally use the services of third parties. All of this only works
with a lot of money and a lot of time, which we invest in this band.
Fortunately, this effort pays off, as we can see from the steadily increasing
number of visitors to our live shows - something we are very grateful to all
our visitors and fans for.
10. With a minimalistic setup of one guitar, drums, and
vocals, how does GREH approach live performances? How do you capture the
intensity and character of your music in a live setting?
I actually experiment a lot with the instruments at home until I have a result. I often have an idea or a vibe that I want to create and work towards it. And nowadays it's actually possible to play the same, even better Feeten SOund on stage yourself. Yes, it is a special challenge to create a fat sound with just one guitar, but it is possible: how exactly remains my secret.
11. Can you walk us through the creative process within
the band? How do you collaborate to bring together the gritty and minimalistic
sound that defines GREH?
I usually get an idea while swimming. Then I try out the
riffs for a few days, then I compose the drums on the PC and write the lyrics.
Then I present it to Martin (vocals) and we incorporate his feedback. When we
are satisfied, we present the song of the Monne (drums). From here it often
happens that the song is completely rebuilt, which ultimately leads to the
final result.
12. What can fans expect from GREH in the near future?
Any upcoming projects, collaborations, or tours that you're excited to share?
We recently started recording new songs. They'll be more
dissonant and brutal and less muddy. We hope that the album will be released in
winter 2023/2024. Otherwise, we are convinced that we can play some festivals
in 2024. We would love to be able to meet many of the fans out there in person
and have a great time together!
GREH - BLACKENED DEATH DOOM FROM GERMANY
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