The Total Sound Of The Undergound

Lelahel Metal

Meet DISLIMN, creators of 'Esmee' EP. Inspired by personal journeys, DISLIMN blends stoner rock with Nordic melodies. Their lead single 'Anxiety' unveils Esmee's struggles. Collaborations and live performances immerse audiences in their hypnotic sound. Stay tuned for their upcoming projects and live shows!

1. Congratulations on the upcoming release of your debut EP, "Esmee"! Could you tell us a bit about the inspiration behind the band name, DISLIMN, and how you all came together to form the band?

At the beginning Basile (Drums) and Florent (Guitar) wanted to create a two piece-stoner rock band, and we quickly decided to add an extra member to the troup, we needed a singer. Alix (singer) was a close friend of Basile's, so she joined the project not long after its creation in summer 2022, bringing a lot of ideas to the table. These ideas merged to create the unique sound of DISLIMN. About our name we wanted to find a word that represents the fact of hiding behind a mask, to create yourself a new personality, a curtain behind which we conceal our uneasiness, a pain that’s eating us. We’ve tried several names and ended up discussing it with an American choreographer, a friend of ours, who heard our music and our story, and almost spontaneously came up with the word “DISLIMN”. The 3 of us went through really hard times, and we’ve all once tried to hide our feelings behind a mask, to dissipate ourselves in a curtain of mist, from which we all ended up coming out as better persons. This is the interesting part about “DISLIMN”, it means to disappear, to darken, to hide in a mist, but its antonyms are “to illuminate”, “enlighten”. At the end of the day, DISLIMN is a name we could have given to the journey we’ve all been through.

2. Your music is described as a unique blend of progressive, heavy rock, and doom with Scandinavian melodies. How did you come to develop this distinctive sound, and which artists or bands have influenced your musical style?

We all come from very different backgrounds, but the original idea was to create a stoner band. We drew our inspirations from bands like Elder, Mars Red Sky, Somali Yacht Club, but we ended up mixing everyone's inspirations! Alix listens to a lot of Nordic Folk, like Kalandra, Eivør or Wardruna, and Basile likes progressive music such as The Ocean. Somehow we all started to like each other's taste, and we created the sound of DISLIMN by mixing these ideas.

3. "Esmee" deals with chronic anxiety through the character of Esmee. What motivated you to explore this theme, and how did you approach translating such complex emotions into music?

We must give credits to Alix for this Idea. She is battling anxiety attacks and generalized anxiety every day. She wanted, like therapy, to free herself from this weight by expressing her feelings and putting words to what she is feeling. For her, anxiety is like a person who lives inside her and dictates her thoughts. In this song, we've personified anxiety, giving it a voice. It hides its true face, only to reveal itself fully at the end of the track, underlining the fact that Esmee (our main character) has no reason to be where she is. This is how we translate this kind of complexe emotions into music: We put our everyday struggles, experiences and traumas into words and notes.

4. The EP is structured like a narrative, with each track representing a chapter in Esmee's story. Can you walk us through the creative process behind crafting this concept and selecting the tracks?

Our original idea was to create a concept album that tells a story. When we decided to talk about Anxiety, we've chosen to write this album like a book that tells the story of Esmee, a character that we’ve created, who’s dealing with chronic anxiety. We wanted to compose the instrumental parts so that it follows the psychological state of Esmee, and each song represents a step in her life. The Ep starts with “Anxiety”, in which we personified the Anxiety and made it talk, displaying it taking hold of Esmee. Our character starts giving up in the next song, ‘Esmee’s Story’, that we wrote like an open letter in which Esmee expresses her dark thoughts. Our instrumental song “Gullfoss” represents the fight inside of Esmee’s mind. She’s starting to realize that there might be a way out. “In my Mind” is the beginning of the fight, Esmee sees a way out and starts walking it, which she does and decides to do her best not to fall again in the trap of Anxiety, in the last song called “Release me”, our strongest Hymn.

5. Your sound is characterized by hypnotic riffs, repetitive grooves, and percussive, melodious vocals. How do you balance these elements to create a cohesive musical experience, both in the studio and in live performances?

We build our sound by stacking several layers of sound textures and sound effects, creating a "wall of sound". In order to create this effect, in the studio, we try to create relatively simple parts, not too rich in harmonies in order to build something very interesting. As an exemple, the guitar and bass parts are pretty similar, like most of the rhythmic guitars are similar to the lead. Only a few details make those parts different from one another. At the end of the day, it permits us to create a mass of sound, without overloading our soundscape.

When it comes to live performance, we can't keep every single layer, because it would sound too messy and imprecise. We choose specific layers to keep, in order to maintain the efficiency of our sound. We basically keep in mind that less is more, we compromise. Nevertheless, when it comes to sound shaping, we make it more fat and aggressive, in order to keep this idea of "wall of sound". To sum up, we have less layers, but we make them fatter.

About the voice, whether it's in the studio, or on stage, we use a lot of reverb and delay, in order to give it enough depth and thickness, but also enough power to pierce through the sound mass created by the instrumental parts.

6. You've collaborated with guest musicians like Paul Void and Valentin Gévraise on "Esmee." How did these collaborations enhance the EP, and what was it like working with other artists to bring your vision to life?

First of all, we love collaborations ! We believe that, when it comes to music, or developing a project, collaborations are opportunities to get ideas that we wouldn't have thought about in the first place. Everyone has their own creativity, that's why we give a lot of freedom to the person we work with, whether it is our the person that takes pictures, Léa Barthelemy in our case, the producer of our clip François Richer, the designer of our EP's cover Stéphane Levallois, and of course the musicians we called on our album. We know Paul Void to be a "Synth Nerd", and his approach to music is very experimental, so he had a lot of ideas ! He also has a vast amount of knowledge about nordic percussion. We just pressed play, and let him record anything that came to his mind. We kept a lot of his ideas as you can hear. The same process was applied to Valentin Gévraise, we asked him to record an improvised solo on our instrumental "Gullfoss". So, as we did for Paul, we pressed play, and we let him express himself. After a few takes, we chose the best one and kept it in the final version of the song.


7. Your debut single, "Anxiety," was released in April 2024. Can you tell us about the message behind this track and why you chose it as the lead single for the EP?

In this track we wanted to give anxiety a voice. It's described as a person that takes hold of Esmee's feeling and thoughts. At the beginning, it introduces itself as a friend upon which Esmee can rely on, until it shows its true nature as the song goes by. It captures Esmee in a kind of psychological prison, and takes her away from her world, making her feel rejected and unwanted.

 There are many forms of anxiety, depending on the person suffering from it. When it comes to Alix, anxiety is a voice in her head, almost like another person speaking, with its own personality.

We've chosen this song as our single because it opens our EP, but it's also a great introduction to everything that the EP will be talking about: the story of a woman struggling with this specific form of Anxiety. It's also a good introduction to our style of music and our universe.

8. The artwork for "Esmee" is striking and evocative. How does it reflect the themes and mood of the EP, and what was the creative process behind its design?

We decided to collaborate with Stéphane Levallois for our cover. He is an amazing artist with so much talent, granted with a mind that works so fast. Basile knew him and his way of working, so we wanted him to fully express his art. We sent him our music, our influences, our story and our Clip and told him "Draw what comes to your mind". We couldn't be happier with the result. Everything was perfect, from the choice of Black & White, the hands that represent Anxiety, covering Esmee's face. It is sober, but also rich in signification, powerful and simple.

9. In addition to your studio work, you've also performed live at various venues and events. How does your approach to performing live differ from your approach to recording, and what do you hope audiences take away from your live shows?

We went through a lot of reflections to create our identity on stage, but our main objective is  to tell a story, to invite the audience to share this moment with us. For our first EP "Esmee" we got inspired by our own stories, and so will we for our future projects. This way we're able to communicate a lot of strong emotions when performing live, and the audience can identify themself to our stories.

We are truly inspired by performances of Scandinavian bands like Heilung or Wardruna, where the show becomes more of a ritual, an out-of-space moment rich in emotions and self-meditation. Of course we don't go this far, and some of our songs have a strong and open chorus where the audience can sing along Alix's vocals. I'm thinking about our songs "In My Mind", "Esmee's story" or "Release Me" that have parts that give us an opportunity to become one with the audience, with simple and strong lyrics, heavy riffs and catchy rhythms.

Finally we want the audience to remember what they saw: 3 people on stage delivering the sound of an army of guitar and bass amps. That's a common reaction that we are receiving, people witnessing our performances and asking us afterwards: "How can you have such a massive sound, with only 3 members on stage?". That's the kind of reaction that we want to provoke.

10. Looking ahead, what are your goals and aspirations for DISLIMN? Are there any upcoming projects or collaborations that you're particularly excited about?

We’ve been on so many projects prior to DISLIMN, and for the first time we’ve created a project that we are very proud of. We’ve gathered all of our common experiences, we’ve learned from the mistakes of our past bands, and we move forward in the hope to one day take the road and definitely start touring. We are actually composing our next songs, and we can’t say anything else, apart that we are truly excited to present our future projects. More specifically, we are preparing our release party in Paris, at Le Klub the 9th of June. We will be also playing in Meaux, France, the 15th of June, and we are in the making of several other shows planned for the end of 2024!

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