In this interview, we explore SoundScars' debut album "Legacies," discussing the project's diverse themes, creative collaborations, and the unique blend of musical influences that shape their sound.
1. Can
you delve into the concept of "SoundScars" and how it reflects in
your music?
In my
opinion, music is the manifestation of the most pure and deep feelings of the
musician... In good od bad ways... And the music also has the power to change
the listeners, modifying their way of life sometimes. When you bring your truth
to your music, you have a great chance of having a deeper impact on those who
listen. That´s what I´m trying to do.
2. "Legacies" seems to be
a central theme in your debut album. Could you elaborate on what inspired you
to explore this concept?
Today the
world is quite weird. Actually humanity is... War everywhere... Climatic
problems, pandemic, denialism... All of this made me think: what will we leave
for the next generations? What will be our legacies? In this scenario, Ashes to
Ashes and Sunrise are directly related to the Amazonian destruction and
pandemic legacies, respectively... But what are the other legacies that
influence our lives everyday? As a consequence, I threw myself into ancient
civilizations, and into the mind of serial killer and schizophrenia patient,
also focusing in the genetic inheritage.
3. How did the collaboration
with various vocalists shape the sound and feel of "Legacies"?
Since the
first moment, I decided that SoundScars would be a project with no fixed
formation due to I´m interested in find the voice that best matches the
proposal of each song. And this crazy journey was delicious! I was very Lucky
because I found five incredible singers that became friends. I´m very satisfied
with the final result, I think we managed to get the best out of each of them.
The sweat voices of Gabby and Lorena contrast with the powerful and strong
voices of Leandro, Anna and Vinicius, resulting in a very diverse álbum,
exactly as I wanted.
4. Can you walk us through the
process of creating the eight songs on the album and how each one contributes
to the overall narrative?
Excellent
question. At first moment, the people probably will think in each song
individually; each song is telling a completely isolated story. But if you
listen to the whole album, song after song, in our proposed order, the
ambiences and timbres will catch you, taking you to an ethereal place. It makes
you think about not even the legacies described, but also many other
possibilities, exactly as I wanted. Legacies is very homogeneous album in
relation to how it sounds... The mix is amazing...
5. As the guitarist, composer, and
creator of SoundScars, how do you balance your vision with the input of
collaborators like Celo Oliveira and the invited musicians?
Another
excellent question. Each guest that I invited brought something to our sound.
Each singer interpreted my melodies and lyrics in their own way. Sometimes
small modifications were made... In all times, to make the songs even better.
My friend Wallace Oliveira created two fuckin crazy solos for Delicious
Addiction and Regression No Regret songs. These solo took the songs to another
dimension... And what can I say about Celo Oliveira? He is my brother, a real
genius. He played all other instruments, helped me in the arrangements... And
He was perfect in the mixing and mastering processes. For sure, without Celo
this work this work would not become what it became. Thank you so much guys!
6. Your influences range from
classic heavy metal to Brazilian popular music. How do you blend these diverse
elements into a cohesive sound?
Yes, I have
different references in almost all music styles. And I didn't want an album
that sounded as just another traditional metal album... I wanted to surprise
people with every compass. Of course, many bands in symphonic, prog or power
metal among other styles, mix elements from classical or folk music. I always
love this kind of thing! I tried to put my fingerprint, bringing something new
especially from brazilian music. Absolutely all incorporated elements can be
heard. There is some songs with almost 60 tracks including orchestra,
percussion, etc. I hope you enjoy.
7. In "Legacies,"
you touch upon a wide array of themes, from genetic inheritance to the impact
of ancient civilizations. How do these themes resonate with you personally?
I´m PhD in
cell biology, believe or not! I have a job as biology researcher in a huge
research center here in Brazil. Genetics is basically my daily life. But I
really curious and I like to study different things like more about old
civilizations, would be the gods astronauts? I thought that it is a theme that
poorly appears in metal songs. I tried to develop different subjects not to
write more of the same... Sunrise was wrote in critical moment of pandemic,
when almost everyone loss our hope. I think I must write something to never
forget what we are passing through. On the other hand, Legendary Tales is a
tribute to brazilian fairy tales that my grandmother usually read for me when I
was a child. Yes, all songs are a kind of scars, marking my life in different
ways.
8. Could you share any
memorable moments or challenges you encountered during the recording process of
"Legacies"?
As an
independent artist, there are too many challenges everyday. I think one of the
main challenges was dividing myself between my job as a biology researcher and
recording the album. It was a week sessions during 10 months! It was hard but
it was an opportunity to learn many things about the process with my friend,
the legend Celo Oliveira. Guys, this man is out of the world! There are many
memorable moments, but I will highlight one, during Legendary Tales recording.
We needed a percussion to compose the ambience during the original people
dance, and nothing was fitting well. During a holliday in Atacama desert, I
found in a souvenir store, my perfect solution! A typical rattle of that Chile
area! Of course I bought two or three with different timbres, and the result
you can check it out in the song.
9. As a musician with a
diverse range of influences, how do you see the role of SoundScars within the
broader music landscape?
It´s so
crazy, man! It is kind of a dream that is becoming true. I´m showing “my
scars”, and many people are liking! SoundScars is showing a little bit more
about the brazilian music and culture, and how we can mix it with heavy metal.
I hope to spread good things, talking about new topics, always bringing
innovations such as different combinations, instruments whatever.
10. Looking ahead, what can
fans expect from SoundScars in terms of future projects or endeavors?
I think
fans can expect more surprises. Definitely, I´m not bound by any rules nor
segment. The next album is being composed right now. It will be a heavy metal
album, for sure, always. But once again, I will bring some subjects and
elements that make difference from many other tradicional heavy metal albums
released every year.
11. Lastly, how do you hope
listeners will connect with and interpret the themes presented in
"Legacies"?
Following
the concept SoundScars: I hope people after listening will no longer be the
same; it makes sense for the people, creating a soul scar (another good name
for a band!). If musicians listen and like it, I also hope that Legacies become
a musical scars of this guy, influencing his compositions somehow as my scars
named Iron Maiden, Blind Guardian, Nightwish among many others did with me.
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