Signal
Static, known for their unique blend of hard rock, punk, and alternative,
delves into the pervasive issue of 'cancel culture' with their new single
'Cancel Me.' In this interview, they discuss personal accountability, their
creative process, and the journey of crafting music that balances social
commentary with raw emotion.
1. Can you tell us about the inspiration behind your new single 'Cancel Me' and what message you hope to convey with it?
‘Cancel Me’
is a response to the whole ‘cancel culture’ narrative which has become so
pervasive in artistic and political circles. The idea behind the song is
that rather than blaming other people for the consequences of our behaviour
it’s on each of us as individuals to take responsibility when we hurt each
other.
2. How
do you personally define 'cancel culture,' and what made you decide to tackle
this topic in your music?
There’s a
lot that can be said about this, but what it boils down to is this recent trend
of people getting caught doing and saying harmful things and then blaming the
fallout on the victims for speaking out or on other people for making the
decision to direct their money, support, and attention elsewhere as a result.
Rather than taking responsibility for their mistakes and making an effort to be
better people, they double down on whatever hurtful thing they’ve said and done
and then vilify the people they’ve hurt. Not cool.
3. Ryan,
you've mentioned that the band points the finger at itself in 'Cancel Me.' Can
you elaborate on the importance of personal accountability in your music and
lives?
It’s
difficult to imagine anything more important or impactful, as an individual
than taking responsibility for our fuck ups. We’re ego-driven creatures,
and our egos have a really hard time accepting criticism or being told that
we’re wrong, which is a really harmful impulse.
If we could all accept the idea that being wrong is the first step to becoming
right and just cop to the things we get wrong instead of dying on any number of
hills trying to defend ourselves, we might actually become better people and
avoid a lot of unnecessary strife and problems.
By pointing the finger at ourselves in this song, we are acknowledging that we
are as liable to get things wrong as anybody, and it's okay to hold us
accountable when we do.
4. Signal
Static's music combines various genres like hard rock, punk, and alternative.
How do you balance these influences to create your unique sound?
You know, I
think it’s important that we avoid spending too much effort trying to make
music in any particular style. Signal Static has a sound, of course, but
it’s a sound that migrates a bit with each song and is the result of our
collective influences playing on each other rather than something that we try
to calculate ahead of time. Every song has its own balance, and as long
as we are making an effort to serve what the song needs, that balance kind of
sorts itself out.
5. Your
music emphasizes honesty, openness, and humanity. Can you share how these
values shape your songwriting process?
Ryan: I think it’s somewhat
self-explanatory. I write what occurs to me at any given moment to write,
usually about things I see going on in the world or something affecting the
people around me. The most important thing is that whatever I write is an
honest expression of what I’m experiencing or feeling about the topic.
For me there is no greater musical pleasure than being able to express my
thoughts in musical form inside of a song that kicks like a mule.
Randy: Whether it’s devising a riff or
putting together lyrics we all strive to be better members within our band and
community at large. The trick is to create content that is not only conveying
our values, but it also serves to align and bond us with anyone listening. We
all want connection. We all want to belong. Music is a powerful vehicle to
promote that belonging. That connection.
6. How
do your individual musical influences (like Chevelle, Tool, Queens of the
Stoneage) manifest in Signal Static's sound?
Ryan: Honestly I never know how it’s
going to happen. We never really try to sound like anyone in particular,
it just kind of happens. Every so often someone will say something
bizarre like “I love how this sounds like an Ozzy song” and I’m like “you got
THAT from THAT?”
Randy: Influences for me are often things
that may not be other bands or even music. Things that simply turn my crank and
get me motivated. A poem, painting or a great film, for example. Those bands
mentioned are all playing emotive and powerful music. Stuff that is driven by
weighty riffs and thunderous drums. These things, along with some clever lyrics
can get you far, but without that raw emotion, it may as well be elevator
music.
7. Can
you tell us about the process of recording 'Cancel Me' and the role Ari
Mihalopoulos played in the final production?
‘Cancel Me’
was one of a bunch of songs that we wrote together during the Covid
lockdowns. We released our first album right on the heels of Covid and
couldn’t really do anything with it, so after our former leader singer left the
band the three of us decided to spend our time re-inventing our sound.
We recorded four songs, including ‘Cancel Me’ by ourselves in our underground
jam bunker, which is quite literally an underground storage space for a
sporting goods store. We have so far managed to resist the temptation to
pull an “OK GO” on any of the elliptical machines.
We ended up
signing up with The Inner Light Agency who was helping manage us for awhile,
and they have some pretty heavy hitters on their roster including Destrophy,
who are an absolutely killer metal band on Victory Records. Ari is their
frontman and also a crazy good mixing engineer and producer and we were very
lucky to get him working on our stuff.
We had actually mixed and mastered two other songs (‘Objects of Affection’ and
‘Under the Skin’) with a different producer, but after Ari mixed ‘Cancel Me’
and ‘Dark to Light’ (which is the next song we’ll be releasing) we knew we had
to get him to re-do those as well, and we’re very glad we did.
8. What
has been the band's journey from formation to the release of 'Cancel Me'? Any
memorable moments or challenges you'd like to share?
The three
of us have been together for I think close to nine years now, which has gone by
surprisingly quickly. Ryan had been in other bands with both Gino and
Randy, and after they were introduced at Ryan’s wedding in 2015 we decided to
start jamming together.
We wrote the first bunch of Signal Static songs together as a trio and then
brought in Connor Smith on vocals. We recorded our debut album together
right on the heels of the first Covid lockdowns, and shortly after that Connor
decided to leave the band.
We spent the next couple of years of Covid nuttiness re-inventing our sounds as
a trio and Ryan took over on vocals kind as a stop-gap until we all decided to
make it a permanent thing, and we recorded four singles together as a trio, of
which ‘Cancel Me’ is the third to be released.
9. Given
the introspective and socially aware nature of your lyrics, how do you balance
personal experiences with broader social commentary in your songs?
Ryan: Personally, I tend to avoid writing
too much about myself, as I’m not nearly as interesting as a lot of other
people and events going on in the world. Everything that I write is from
my own unvarnished perspective, of course, even when it’s being framed in the
perspective of a character of some sort. But what really interests me is
exploring human behaviour, whether that be calling out bad actors or trying to
model what it means to be a good one.
Randy: Opposite to Ryan, when I write music or lyrics, I like to write
about myself but in a broader, less specific manner. The best authors and
artists usually draw from personal experience and then apply that to the
current or historical social context they’re writing within. Try to take your
experiences and thoughts and project them onto a screen anyone watching, or in
our case listening, can relate to.
10. What
do you hope listeners take away from 'Cancel Me,' both musically and in terms
of its message?
Musically
we would hope people will enjoy the groove and the kind of dark energy of the
song. Maybe they will put it in their car and zoom around (responsibly,
of course), or make a fool of themselves bopping around on the streets with
great enthusiasm, who knows?
The message, like a lot of our songs, kind of boils down to ‘don’t be an
asshole’, and more specifically ‘if you are going to be an asshole, don’t act
surprised when people treat you like an asshole’.
11. Have
there been any interesting or amusing experiences during your time as a band
that you think fans would enjoy hearing about?
The very
first song we ever released was called ‘Blinding Lights’, and unbeknownst to us
we happened to release it on the same day as The Weeknd’s song also called
‘Blinding Lights’, so for awhile we had fun talking about how we had a #1 hit
on our hands.
12. Looking
ahead, what are Signal Static's plans for the future, and how do you see your
music evolving in the coming years?"
Next up
after ‘Cancel Me’ we will be releasing one more song that we recorded over the
Covid days, called ‘ Dark to Light’. So definitely keep an eye out for
that!
We’ve been taking a bit of a break so far in 2024 while Gino did some pretty
intense schooling, but now that’s over we’re gearing up to write and record our
second full-length album over the next year or so. So far it’s
coming together very nicely!.
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