Art of Attrition returns with their second album, "...And It Will All End Forever." In this interview, they share the creative journey, inspirations, and unique blend of technical deathcore and blackened metal that defines their latest release.
1. Congratulations
on the release of your second album, "...And It Will All End
Forever"! Can you share the story behind its creation and the inspirations
driving it?
Thanks! As
our sophomore effort, it was of utmost importance for us to provide the best
quality work possible. At this point, we really hit our stride in terms of
having good songwriting chemistry. I don't believe we had a specific sound in
mind, moreso we wanted ensure we captured a healthy balance of chaos and
cohesiveness. Composition is important to us.
2. Your
music combines elements of technical deathcore and blackened metal. How do you
balance these genres, and what draws you to this unique blend?
I honestly
believe that we just play what we want to play. We certainly take some
influence from other bands (Archspire, Mental Cruelty, Lorna Shore), but it
ultimately boils down to being music that we enjoy playing, as well as
listening to. We believe that if we love our music, that translates into a
passionate and gripping live performance.
3. The
album delves into themes of self-introspection and internal struggle. Can you
elaborate on how these themes influenced your songwriting and overall approach?
This is a
bit more of a "What came first, the chicken or the egg?" sort of
inquiry. Josh typically writes his lyrics based on the melodic motif of the
music, or uses something in his lyric backlog that he feels suits the track.
4. Compared
to your first release, "The Void Eternal," what new elements or
changes can listeners expect in "...And It Will All End Forever"?
Less focus
on orchestrations, more focus on well articulated dynamics by way of effective
songwriting. There will be less technical parts, and more crushing, groovy
riffs. There will however, be no shortage of speedy blast beats.
5. The
album features intricate guitar work and epic orchestration. How do you
approach composing and arranging these complex musical layers?
We aim to
have the layers compliment and accent eachother. Music is conversation, and
conversation requires a healthy amount of back and forth, with questions and
answers. If everything is loud and "full" all the time, things tend
to get muddy. Much like a conversation of two people shouting at eachother.
Particularly in the setting of a live performance, which is always on our minds
while writing.
6. The
track 'Drown in Fog' opens the album with a powerful impact. What was the
inspiration behind this song, and how does it set the tone for the rest of the
album?
As the
opening track, it was very important that we start it off with fierce
intensity. From the very start, we want our listeners to be made aware that
this EP is designed to make them feel something. It's loud, and it's in your
face, but it will also allow for some reprieve and introspection.
7. Your
lyrics confront inner struggles and emotions such as anger and anxiety. How do
you translate these intense feelings into your music?
A lot of
that is reflected in the choice of vocal styles. Shrieks and snarls are for
parts that I feel embody the lyrical passages in whicu they are used. You may
also notice there are some more hardcore style fry vocals with clear
pronunciation. That is by design, as an aid to have aggressive but clearly
understandable lyrics that speak the story within the song.
8. The
album includes hauntingly memorable solos and epic choruses. Can you discuss
your process for crafting these standout moments?
We believe
that much like in pop and other varieties of music, a good chorus and hook aids
in making a track far more memorable. Familiarity is one of the most attractive
traits in a chorus, and simplicity helps. This is why we elected to have
simple, but grand, choruses in tracks such as Vitriol. It also helps the
occasional technical part of the songs stand out even more. If everything is
fast, nothing is fast.
9. How
did the recording and production process for "...And It Will All End
Forever" differ from your previous work? Were there any new
techniques or challenges?
It was
fairly similar to the production of "the Voud Eternal." Guitars and
vocals were tracked at home, drums were tracked by Diego Fernandez of Oracle
Studios. The only major difference is we elected to hire out the mixing and
mastering to Nico Beninato of Kimera Recordings, as we wanted to try someone
who was outside of the Canadian scene. We went this route as we wanted to have
something that sounded a little bit different than other bands from our region.
10. Art
of Attrition is hitting the road for "The Cascadian Carnage Tour" and
performing at Loud As Hell Festival. What can fans expect from your live shows
during this tour?
They can
expect a VERY high energy show. We have put a lot of work in on adding in some
new stage moves, and have written some "crowd engagement" sections
into our live set. We really believe that we are doing so much more than
performing our music, we are putting on a show. We want people to not only go
home having their minds blown musically, we also want them to feel like they
were part of an engaging and exciting show.
11. You've
mentioned that the EP is a metaphorical checkpoint on the journey of
self-discovery. How do you hope listeners will connect with this idea through
your music?
Yeah, that
would be super cool. It is a great feeling when people are interested enough to
learn about the lyrics and what they mean. If they can connect with them and it
helps them find solace and peace within their personal lives, that is even
better.
12. What
are your future plans following the release of "...And It Will All End
Forever"? Are there any upcoming projects or collaborations you're excited
about?
As it
stands, we are hoping to have a few singles ready for fall/winter. These may
feature some different musical ideas, but we arent entirely sure as we are just
beginning to write again. Following that, we have a rough idea for a concept
album. This would be uncharted territory for us, and we are very excited to see
how it turns out!
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