In this interview, Edvins delves into the deeply personal and emotional themes behind Irrbloss, exploring its blend of melancholic, atmospheric black metal and ambient influences.
Will-o’-the-wisp
symbolizes the energy, or a soul from something that has died. And it's forever
dancing around the place where they died, leading other lost people either to
safety or to their deaths. That description fits the concept of irrbloss pretty
well, with the contrast of life and death, hope and hopelessness.
2. You
mentioned that Irrbloss is a fragment of memories, especially of lost
souls from friends and pets. How did these personal experiences shape the
songwriting and atmosphere of the album?
When I
write songs I tend to go with a gut feeling. It sounds really pretentious but I
let the music flow through me and then I listen back and try to interpret what
my subconscious is trying to tell/get out. Obviously I get affected by what
happens around me so it tends to seep through into the songs.
3. The
album blends atmospheric black metal with ambient and pagan influences. How do
these elements come together in your creative process? What is it about these
styles that resonates most with you?
We have a
word in Swedish called “vemod” which is translated to melancholy. Black metal
or even dark pop like Swedish “Kent” is very melancholic. I like that black
metal has a force of rawness and often a truth in its “ugliness”. I also love
to create soundscapes so naturally I like ambient music too.
4. The
album feels like a journey through both darkness and hope. How do you balance
the melancholic themes with glimpses of beauty and hope in your music?
When I
write songs it's not like I say “woah that's too dark” or “that's too happy!”
It just happens naturally I suppose. And I like when songs feel dynamic.
5. The
track names are quite evocative. Could you share the significance behind one or
two specific tracks, such as Sorgens Riter or Att Vara Sann?
Sorgens
Riter (The rites of mourning) is about loss, and what comes after.
Att Vara Sann (To be truthful) is about finding yourself, and staying true to
yourself.
6. You
poured a lot of your emotions into this record, saying it felt "100%
honest and true." What was the most challenging aspect of creating such a
personal album, and how did you work through those challenges?
Well I sing
clean vocals more on this album, to add a sense of “clarity and
innocence” that was a bit scary. My philosophy is that if I am honest by
“showing” a piece of myself through my music, I won't regret it.
7. Ground
Media Group has been a longtime collaborator with Ana Argan List. How has this
partnership helped shape the release of Irrbloss, and do you have plans
for future live performances to promote the album?
Samuli has
supported me from the beginning. He is a really good guy. And I thank him for
believing in my music. He asked me to become my booking agent and I agreed. So
as of now I am in talks with Samuli from Ground Media Group about doing some
exciting shows abroad in 2025.
8. Your
music has been compared to acts like Alcest, Agalloch, and Enslaved. How do
these comparisons sit with you, and what sets Irrbloss apart from
other works in the atmospheric black metal genre?
Yeah well I love all of those bands. I am very flattered, and it’s hard to take in honestly haha. I don’t really know. I do know that it sounds good and people seem to like it. That's enough for me.
I don’t
have a message in mind. I wrote these songs to heal myself, hopefully it can do
some good to others too.
𝓐𝓷𝓪 𝓐𝓻𝓰𝓪𝓷 𝓛𝓲𝓼𝓽 (@anaarganlistofficial) • Photos et vidéos Instagram
Musique | Ana Argan List (bandcamp.com)
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