The Total Sound Of The Undergound

Lelahel Metal

In this interview, we explore the journey behind Serpent Fire's debut EP Pathways, delving into the band's origins, their unique blend of aggression and melody, and the creative process behind their powerful sound.

1. Congratulations on releasing Pathways! Can you tell us about the journey of creating this EP and what inspired you to make it your debut release?

Thank you thank you. It was quite a lot of work, especially for such an amateur who hasn't been in the music business so long before that anything would have been published. The songs themselves were created quite easily when you just put a computer in the background and start riffing. So right at home, I first made the Demos and then polished them at the training camp and J.K Hel added his own stuff to them. Some arrangements were also rethought there. Marco came up with the keyboard patterns at home on top of the guitars. So I didn't have any melodies in my head, but I made songs as I came up with cool riffs. I first sent the demos to Jukka M, who made the words and arrangements for them without any instructions. However, I tried to somehow make the songs so that you can also sing along to them. Maybe they are not such a match in all parts that it would be easiest to fit songs to them, heh. But Jukka M. performed the job very well. Or originally, the intention was to do this with Jukka M together, so that we would only make a song and publish it through something. But then things expanded when other guys got involved and for a while we were a real band.

2. Your music is described as a blend of aggression and melody, capturing the coldness and melancholy of Northern Finland. How do you achieve this unique atmosphere in your sound?

Well, it's probably partly because we have been listening to those Finnish metal bands since we were teenagers, so I guess those influences somehow come from there. Even though I listen to lighter music these days also. Says Jukka Piironen. And yes, where we live near the arctic circle has a lot to do with it. Dark and cold.

3.Jukka Piironen, you started Serpent Fire after a long hiatus. What motivated you to return to music, and how did the collaboration with Jukka Mursu come about?

I can't really say. I played the guitar with the so-called in a garage band as a teenager and the only achievement was a four-track demo sometime in -96 or -97. A bandmate was then badly injured in an accident in the early 2000s, and after the playing duties ended, i got somewhat bored with the whole thing. I then put the Marshalls away, I left the guitar, but it became less and less important and then not at all. And that break then stretched for approx. 20 years. Then I read the book Alexi Laiho, in 2021 and I started thinking that maybe it would be nice to learn some songs again. I started to learn to do recordings and make some of my own songs. Or clips of them. I then asked Mursu if we could try to do something together...that's where it started. Playing was a bit difficult at first, but I started to remember it pretty soon.

4. With members like J.K Hel and Marco Sneck, who have played in well-known bands, how has each member's musical background influenced the sound and direction of Serpent Fire?

We all have experience in many areas, so the sound is formed by everyone playing together. In general, details are not set in stone and everyone has some own invidual input and ideas. When songs are born and if we think they sound good, they start to live their own life.

5. The track “Disengage” is already resonating with fans, especially through its lyric video. Can you tell us about the themes of this song and what you hoped to convey?

The song  tells about an imaginary situation when it dawns on a person that life continues after death and wants to get out of this cycle of birth and death. In a way, avoid the whole experience called life and move forward as far as possible. Skip the lessons,  so to speak.

6. Finland is known for its thriving metal scene. What does it mean to you to be part of this scene, and what unique qualities do you feel Serpent Fire brings to it?

Yes, Finland is indeed known for its high-quality metal bands and that makes us work hard because the level is really high. But we believe that melodies and riffs never end and there is always something new to add.

7. Your sound balances aggression with melodic death metal elements. How do you approach songwriting to achieve this balance, and what themes or emotions are most central to your lyrics?

Aggression and melodiousness automatically go hand in hand, and there was no need to think about them separately. Maybe the subconscious guides you to stay in a certain route when there is some kind of direction? In the lyrics, Jukka M prefers to tell something that takes the listener  to a different place than this normal everyday life with all its problems and maybe to think outside the box.

8. Are there any particular challenges or rewards that came with working as a collaborative studio project, as opposed to a traditional band setup?

I have to say that with the band there are more playing times in a rehearsal compared to just listening and getting to know the songs at home. I would really like to find a suitable drummer and bassist, working at home is a pretty lonely job and it would be nice to be able to perform live as well. The previous drummer quit the job quite early on and we haven`t been very actively looking for a new one, we'll see. And there hasn't really been a real bassist the entire time, other than a few visiting guys, J.K Hel played the bass for the EP, Jukka Piironen says.

9. With Pathways now out, what has the fan response been like? Has any feedback or reaction surprised or inspired you?

Well, generally quite positive, but there are always plenty of opinions one way or the other. There's no need to reinvent the wheel here, and you just have to keep your head and do what feels best.

10. You’ve mentioned that new songs are already on their way. Can you give us a hint of what’s in store for Serpent Fire’s future releases?

Jukka Piironen has an album's worth of ideas demoed, and at some point we will start to make more final versions of them together with others. And J.K Hel also has some of his own ideas, which we can gather up with together. We will probably continue on this proven path.

11. What role does visual and lyrical storytelling play in Serpent Fire? Do you see a theme or concept uniting the band’s identity and future work?

We'll probably stick to pretty much in the same topics. As we mentioned earlier, we hardly write about down-to-earth and everyday things. Visuality also goes hand in hand with this issue.

12. Finally, for those who haven’t yet listened to Pathways, how would you describe the EP and what you hope listeners will take away from it?

Maybe something new can be gleaned from there, despite this limited genre. Nice melodic passages and heavy riffs. From the lyrics, you can perhaps reflect something to yourself, that you could sometimes look at things from a different angle rather than only through your own narrow sight. 

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Pathways | Serpent Fire

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