Italian gothic doom metal band Shores of Null recently delivered an unforgettable performance on the iconic Temple Stage at Hellfest. We spoke with Raffaele about their experience, inspirations, and future plans.
1. Hellfest
is one of the most prestigious metal festivals in the world. Can you walk us
through your emotions and preparations leading up to your performance on the
Temple Stage?
Raffaele: Performing at Hellfest was a dream
come true. It’s a festival we’ve always admired, a true amusement park for
metalheads. You can enjoy an incredible variety of music across six different
stages, explore diverse genres, indulge in dedicated food areas with countless
options, ride the Ferris wheel, shop in a massive metal market, or relax in the
VIP area where the party atmosphere is always alive. The backstage is
amazing—you can meet anyone performing at the festival, and it’s truly a unique
experience.
From the
very first moments, the excitement was palpable, but stepping onto the Temple
Stage and preparing for the show was unforgettable. When we started playing, we
gave it our all, and the performance turned out perfectly. We also recorded the
entire set, which has been fully released on Thunderflix, with some videos
available on YouTube. The thrill of experiencing such an important moment was
immense. It’s one of the performances I will remember for the rest of my life.
2. The
live video for "My Darkest Years" captures the intensity of
your performance. How does performing that song live compare to recording it in
the studio?
Raffaele: Performing "My Darkest
Years" live carries a strong emotional weight because this song has a
deeply personal story. It is inspired by my grandfather's experience during
World War II. He was a prisoner of war and, after managing to escape, hid in a
swamp in Greece. In that isolated place, a local woman found him and helped
him, bringing him water and bread once a week. Thanks to her, my grandfather
survived and was able to return home to his family. I often think that I might
have relatives in Greece because of this episode, a thought that deeply
resonates with me.
When we
perform this song live, I feel like we are honoring his memory and his
incredible story of survival. The live performance amplifies the song’s
meaning, transforming it into a dialogue between past and present. In the
studio, we focus on interpretation and recording, but on stage, the audience’s
energy adds a layer of intensity that makes the performance unique and special.
For me, this story is deeply personal. For the rest of the band, I believe the
lyrics and the mood of the song have still struck chords that resonate deeply
with them.
3. Congratulations
on partnering with Thunderflix to showcase your full Hellfest performance! How
important do you think platforms like Thunderflix are for connecting with fans
globally?
Raffaele: Thunderflix is an interesting
platform that allowed us to share our Hellfest performance with fans who
couldn’t attend in person. Having a space exclusively dedicated to metal offers
a valuable opportunity to reach new listeners and stay connected with our
long-time followers.
The
possibility of presenting a live set in high quality is a good way to highlight
important moments in our career. We’re glad to have been able to use this
platform.
4. Your
Hellfest setlist spans tracks from "The Loss of Beauty" and
beyond. How did you decide on the songs for this special performance?
Raffaele: We wanted the setlist to best
represent our present, so The Loss of Beauty was the core of our
performance. We chose tracks that work particularly well live, such as The
Last Flower, Destination Woe, and Nothing Left to Burn.
At the same
time, we always like to pay homage to our roots, so we included two pieces from
our debut album, Quiescence: Ruins Alive and Quiescent. We aimed
for a balanced set that showcased both our present and our past, engaging the
audience in a complete experience.
We also
deliberately avoided overly doom-oriented tracks, opting for faster ones
instead, considering the variety of audience that Hellfest attracts.
5. Looking
back on the journey of "The Loss of Beauty," what stands out
most about how it has been received by fans and critics?
Raffaele: The Loss of Beauty was received
very positively by both fans and critics, but what struck me the most was how
people felt connected to the songs. Some shared with us how tracks like The
Last Flower or Destination Woe brought out emotions or personal memories, and
that’s always something special.
We didn’t
expect such a warm reception during live shows as well. Seeing the audience
connect with the new songs, sometimes without even being familiar with the
album yet, was a pleasant surprise. Critics appreciated the balance between
melody and intensity, but for us, it was more important to see how the new
songs naturally fit alongside the older ones, as if they were part of the same
journey.
More than
the reviews or numbers, what matters to us is that these songs had an impact.
It’s gratifying to know that the album’s themes and atmospheres resonated with
people in different contexts, without us ever taking it for granted.
6. Both "The
Loss of Beauty" and "Beyond The Shores" were recorded
during the same sessions. How did you differentiate the creative direction for
these two albums?
Raffaele: Although they were recorded during
the same period, the two albums represent completely different approaches. The
Loss of Beauty follows a more traditional structure, with separate tracks
focusing on strong melodies and a more direct narrative. It reflects the path
we had taken with our earlier works, like Quiescence and Black Drapes
For Tomorrow.
Beyond
The Shores, on the
other hand, was an experiment. We wanted to push beyond our boundaries,
creating a single 38-minute composition with an immersive atmosphere inspired
by funeral doom and cinematic elements. This approach also stemmed from a
practical need: at that time, we needed to distance ourselves from some
difficulties with our previous label, and Beyond The Shores was a way to
explore something new without constraints.
The
differentiation happened naturally. The two albums express different facets of
our artistic identity, but they are connected by a common idea: creating
something authentic that could represent us in all the nuances of our sound.
Recording them simultaneously allowed for sonic consistency, but the two
projects quickly took distinct directions, reflecting different moments in our
journey
7. Your
lyrics often explore beauty in imperfection and transience. What inspired this
recurring theme in "The Loss of Beauty"?
Raffaele: This theme was strongly envisioned
by Davide, who drew inspiration from the wabi-sabi aesthetic, a concept deeply
rooted in Japanese culture. Wabi-sabi celebrates beauty in imperfection,
transience, and the ephemeral. He sought to translate this philosophy into
words, reflecting on the fragility of life and the importance of cherishing
what we have before it fades away.
The idea
was born from observing nature and those small details we often take for
granted, but which reveal a unique beauty precisely because they are destined
to change and disappear.
The Loss
of Beauty does not
aim to merely tell a story; it seeks to invite listeners to reflect on their
own relationship with time, memories, and the small things that make every
moment unique and precious. Davide succeeded in translating these inspirations
into lyrics that are both poetic and profound, further enriching the album’s
message.
8. Since
your formation in 2013, your sound has continuously evolved. How would you
describe the band's growth over the years?
Raffaele: The band’s growth has been a
natural and steady journey. When we started with Quiescence, our goal
was to create a sound that blended melancholy and power, with strong doom and
gothic influences. Over the years, we’ve explored different musical
territories, expanding our approach to both composition and arrangements.
Black
Drapes For Tomorrow
led us toward a more complex and layered sound, while Beyond The Shores
was a bold experiment that highlighted the cinematic and immersive side of our
music. With The Loss of Beauty, we aimed to synthesize these elements,
balancing melody, intensity, and a more immediate touch.
Live
performances have also played a crucial role in our evolution. Playing on
stage, sharing it with bands we admire, and connecting with diverse audiences
have allowed us to mature not only as musicians but also as individuals. Today,
our sound reflects years of experiences and heartfelt choices, always staying
true to our identity while embracing the courage to experiment.
9. Your
music blends gothic doom, melodic death, and blackened elements. Which bands or
genres have had the biggest influence on your sound?
Raffaele: Our influences are diverse, drawing
from multiple genres and scenes. Each band member has brought their own musical
background, contributing to a sound that reflects a blend of our collective
experiences.
Personally,
I find inspiration in bands like Katatonia, Swallow The Sun, Enslaved, and
Borknagar, which have significantly influenced my musical path. Groups like
Paradise Lost, Sentenced, and Novembre have also left a major mark, especially
in their way of balancing melody and darkness.
Davide,
with his voice often compared to that of Woods of Ypres, has brought a
melancholic and intense atmosphere to our sound.
In addition
to doom and gothic, you can find elements of melodic death and black metal
atmospheres in our music, allowing us to move fluidly between heaviness and
melody. This mix lets us avoid confining ourselves to a single genre,
continually exploring new possibilities while staying true to our identity.
Moreover, a
band that undoubtedly unites us all is Iron Maiden, and sometimes we manage to
include riffs inspired by their music—for instance, the chorus of "A New
Death Is Born." But honestly, which metal band hasn’t been inspired by the
masters at least once?
10. Your
live shows are known for their emotional intensity. How do you ensure that same
energy translates to an audience as diverse as Hellfest's?
Raffaele: In our live shows, we always focus
on connecting with the audience, no matter how diverse it may be. For Hellfest,
an event with such a vast and varied crowd, we built our setlist with impact
and dynamics in mind, selecting songs that could engage even those hearing us
for the first time.
We included
more direct and energetic tracks like "Destination Woe" and "The
Last Flower" to keep the energy high and capture attention quickly,
balancing them with more atmospheric moments like "Nothing Left to
Burn" to add depth and variety to the performance.
We also
place a strong emphasis on technical and visual delivery: we prepare our set
with focused rehearsals, working on every detail to ensure flawless execution.
We don’t rely heavily on stage effects, so we focus entirely on the intensity
of the music and our stage presence.
Another
important aspect is maintaining a balance between directly communicating with
the audience and letting the music speak for itself. Hellfest was special
because we immediately felt a great openness; the audience was attentive and
ready to engage, which made everything feel more natural.
We don’t
aim to "impress" but to create a moment that is authentic and truly
reflects who we are as a band.
11. With
"The Loss of Beauty" and your Hellfest performance behind you,
what can fans expect next from Shores of Null?
Raffaele: Our fans know that we always strive
to stay true to our musical identity, but at the same time, we don’t like to
repeat ourselves. Every new album is an opportunity for us to explore new ideas
and push boundaries while maintaining that blend of melody and darkness that
defines us.
We’re
currently working on new material for our next record, and we’re still in the
writing and arrangement phases, although many tracks are already finalized and
recorded as demos to share with industry insiders. We like to take the
necessary time to refine every detail, ensuring that each song fully represents
our vision. Without revealing too much, I can say we are experimenting with
some unconventional elements that we hope will surprise our listeners. I can
also hint that the songs we are crafting may end up on two separate releases,
but I won’t spoil anything more for now.
Remaining
faithful to our tastes and the quality we want to deliver has always been our
priority. We are aware of the expectations and work with the goal of providing
fans with something authentic that reflects our growth as a band while staying
connected to what has always inspired us. We hope to share the new material
soon and to hit the road again to present it live.
12. As a
band with a decade-long journey in the metal underground, what advice would you
give to emerging bands trying to carve their own path?
Raffaele: The most important thing is to be
authentic and stay true to your musical vision. There's no need to chase trends
or imitate others to stand out. Creating something personal that genuinely
represents who you are as artists is the first step toward building a
meaningful connection with your audience. For instance, we always start with
inspiration, and the songs we write take shape from our most personal feelings,
emotions, and tastes. Only in a second phase do we rearrange the songs to give
them a professional form, but I personally don't write songs unless I feel
inspired.
Being
organized and determined is equally crucial. Music is art, but it's also a job
that requires discipline. Promoting your projects, managing social channels,
and maintaining a network of contacts are essential aspects of growing and
getting noticed in a competitive scene. It’s hard work, but necessary if you
want to reach your audience, given the vast variety of bands offering a wealth
of music to fans.
Lastly, resilience is key. Obstacles are part of the journey, but every mistake or difficulty is an opportunity to learn and improve. It's important to always keep the desire to grow without ever losing sight of your passion for music. In the end, it’s that passion that will guide you through challenges and make the journey unforgettable.
Doom gothic black metal band | Shores Of Null
THE LOSS OF BEAUTY - Listen on YouTube, Spotify - Linktree
Shores Of Null (@shoresofnull) • Instagram photos and videos
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