The Total Sound Of The Undergound

Lelahel Metal

Italian horror metal band Deathless Legacy returns with their seventh studio album, Damnatio Aeterna. Drummer and visual artist Frater Orion (Andrea Falaschi) discusses its dark concept, theatrical sound, and immersive multimedia experience.

1. "Damnatio Aeterna" tells a thrilling story centered around the demon Malchrum and his challenge from Lucifer. How did you develop this concept, and what inspired the storyline?

I remember exactly when we started developing this concept. We were on a long drive back from Puglia, about 10 hours by car. We wanted a story where the devil committed some foul deeds in a church, the closest thing to that might be certain scenes from the 1922 film Haxan.

2. Your sound is often described as theatrical horror metal. How do you ensure that your music captures the atmosphere and storytelling elements of this genre?

Every song we compose must evoke the situation we're describing. A good riff isn't enough. It has to paint something in the listener's mind.

3. The video for “Miserere” is captivating and visually intense. Can you tell us about the creative process behind the video and its connection to the album’s concept?

In this video, we wanted to represent the inside of a confessional, obsessively filled with crosses and sacred objects, symbolizing a morbid and obsessive faith. To achieve this, I built a room within a room, about 3 meters per side, which I decorated after a long search for items at flea markets. It connects to the concept precisely because of the scenes in the story that take place inside a confessional. This concept can be read and explored in greater detail in our book "Damnatio Aeterna the tale."

4. The themes in "Damnatio Aeterna" explore the nature of evil and have strong anticlerical and satanic connotations. How do you balance these provocative themes with your artistic vision?

There’s no need for any balance. I’m an anticlerical and satanist person. There’s nothing in what I describe that doesn’t belong to me in some way.

5. This is your seventh studio album. How has your sound evolved over the years, and what sets "Damnatio Aeterna" apart from your previous releases?

In recent years, we’ve tried to work more closely on concept albums that tell a specific story, written before starting the musical composition. This creates a strong force in producing arrangements that reflect the story and the emotions they convey. So, definitely, our recent albums have a more coherent and aligned vision. We’ve grown a lot in every aspect, but I’m also convinced that we haven’t reached the peak yet.

6. Andrea  Falaschi ( aka Frater Orion), you’re a drummer and a visual artist, and you created the artwork and videoclips for this album. How does the visual aspect complement the music, and how closely do you collaborate during the creative process ?

I’m the jack-of-all-trades of the band, and I like to personally handle all the graphic and video aspects in a way that we can call obsessive and compulsive. What I want to give to the fans is a work completely built by us, something artisanal, not an industrial product.

7. You recorded the album at Eden Studios and had it mixed and mastered by Simone Mularoni at Domination Studio. What was it like working with Simone, and how did he help shape the final sound of the album?

We’ve been working with Simone for many years now, so we know each other very well. When we describe the kind of sound we want from each instrumental component, he immediately understands and, in just a few steps, can recreate exactly what we had in mind. It’s incredible!

8. Your music and videos have garnered millions of views and streams. How do you feel about the growing global interest in Deathless Legacy, and how does it influence your creative direction?

We’re happy with how things are moving, but honestly, I don’t think we’ve yet reached the global recognition I’d like. The people who listen to us really appreciate us, and I wish we could reach more people with our music.

9. The digipack edition of "Damnatio Aeterna" seems to focus on creating a complete experience for listeners. What can fans expect from this release, and how does the packaging enhance the album?

I created the pages of the digipack hiding, as usual, occult messages inside. I want people to be able to flip through it like a magical scroll when they have the disc in their hands. But it doesn’t stop there. Along with the album, completing the experience, there’s also a book available in both English and Italian that tells the story of the concept in detail. Additionally, we’ve also created a card game linked to the concept where you have to send priests to hell after making them sin. Not to mention the collector’s edition, which contains, along with all of this, a series of exclusive creations.

10. You’ve drawn comparisons to iconic acts like Ghost and King Diamond. How do you feel about these comparisons, and in what ways does Deathless Legacy carve its unique path in horror-dark metal?

Being compared to huge bands that are among our favorites and have contributed to our artistic growth is more than a compliment; it’s a true honor. We’ve always had our own particular sound, especially thanks to Steva’s absolutely unique voice. In fact, we’ve often found it hard to categorize ourselves into a specific genre.

11. Looking ahead, what are your plans to bring "Damnatio Aeterna" to life on stage? Are there any theatrical elements or surprises fans should anticipate during your upcoming shows?

As is our custom, we’ve designed a show entirely built around the concept of the album. I can tell you that in the setlist we’ll be bringing on tour, we’ve given plenty of space to the tracks from this latest album.

Deathless Legacy - Occult Horror Metal

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